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Stonebwoy, the Afro-Dancehall King with the artistry to match any Dancehall act
Jul 14, 2020
Livingstone Etse Satekla, better known by his stage name Stonebwoy is in my opinion the epitome of excellence when fusing influences from Afro-Dancehall, Dancehall and Reggae. The multi-award winning Ghanaian native boasts accolades including but not limited to best International Act in Africa at the 2015 BET Awards, Artist of the Year at the 2015 Ghana Music Awards and two billboard awards.
Though the artist is deservedly rewarded for his exceptional contributions in music, it is not these awards that validate him but rather his mystique, his artistry, his humility, his diversity and his personality. The Ashaiman native began composing music from a tender age and has evolved into one of the most polished, proficient and dexterous entertainers to ever grace the Dancehall stage. The “Pull Up” deejay is unquestionable a generational talent with a diverse catalogue of music to match any Jamaican Dancehall artist. He is a unique talent who possesses a variety of musical styles and variations, incorporating the Jamaican Patios, Afro Beat and native Ghanaian dialogues to produce edgy, vibrant, acoustic and harmonic overtones that can be appreciated by any Dancehall enthusiast.
Stonebwoy and OV
Stonebwoy, who has released several chart topping studio albums which includes Grade 1 Album in 2012, Necessary Evil in 2014 and the widely successful Epistles of Mama in 2017 is a superstar and philanthropist in his own right within is home country of Ghana, celebrated, revered and admired by a cult following he likes to call the Bhim Nation, consisting of dedicated fans from all over the world that adapts his influences as a model citizen, an activist and a cultural icon.
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